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All In

Back when I was playing in the band, occasionally friends who knew me outside of the group would ask what I got out of the experience. I was never shy to point out that I rarely listened to the sort of proggish-metal we composed and performed in my personal life, Tool/A Perfect Circle and the odd System of a Down track being the occasional outliers. The response I would always give is that the simple explanation behind my musical preferences is likely no different than anyone else’s, I just require music to make me feel something. When I was striving to be the loudest thing onstage with three of my closest friends, that made me feel transcendent; when I listened to 90’s-era Manic Street Preachers I felt invincible; when I heard Sam Cooke I felt longing but never lonely.

You could argue I experience emotion a little more acutely than others (while being simultaneously oblivious to the feelings of those around me. It’s a process), I don’t think I’m unique in what I want out of music. We all have our artists that we cherish more than others because they strum that string in our souls that can be guaranteed to instantly summon a certain feeling. But it’s important to reiterate as I investigate how I became the guy who wrote a book on J Dilla and became totally enthralled with a Japanese girl group in the same year.

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